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Just for backup reason a summary of my Twitter messages. It is always a nice way to reexperience the developments of a certain time period. For this reason my most important Twitter messages from April 2015 until May 2015. Read more...

Just for backup reason a summary of my Twitter messages. It is always a nice way to reexperience the developments of a certain time period. For this reason my most important Twitter messages from January 2015 until March 2015. Read more...

Long time ago I started posting my last summary of my Twitter messages. It is always a nice way to reexperience the developments of a certain time period. For this reason my most important Twitter messages from Ocotber 2014 until January 2015. Read more...

Long time ago I posted my last summary of my Twitter messages, however for me it is always a nice way to reexperience the developments of a time period. For this reason my most important Twitter messages from July 2013 until October 2014. Read more...

The previous chapter described the artwork “Season Patterns”, which captured natural environmental changes. The interactive relationship only existed between the artist and his surrounding natural environment. In contrast to that, the collaboration project “Travelling Plants” with Juliane Springsguth created a direct interactive relationship between plants and humans as well as between humans and humans.

The interaction between humans and plants intended to improve the human well-being. This improvement was applied in an urban context, where the daily life is characterized by stress and appointments [Shoemaker2002, page 140]. Public transport as a public space is a location where people have the time to rest, although the environment does not provide a relaxing friendly atmosphere. Under these circumstances, a setting with plants has the ability to transform a stressful mood to a relaxing state of mind more easily [Shoemaker2002, pp. 181]. The famous landscape architect Frederick Law Olmsted assigned plants a healing power for the human mind [Flagler1994, page 232]. Read more...

Artists and designers do not always use plants directly for expressing their ideas. Their various artistic approaches bridge the gap between different disciplines. In this chapter I will present artworks that holding a connection to plants, but stronger connections to other disciplines, like wearable technology, playful interfaces, generative art, robotic and bio art. This summary will outline their artistic expressions beyond a direct human plant interaction.

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The previous chapter explored the possibilities of biosensing with plants. Partially, it reveals some methods for translating plant perceptions into electronic signals (e.g. “Pulsu(m) Plantae”). Movement and locomotion are always connected with perception [Ingensiep2001, page 303; Chamovitz2013, pp. 15]. The perception signal and the movement abilities of a living organism define how the movement will be performed. This interaction has an explosive power in philosophy.  These two abilities (perception and movement) determine the differences between plants and animals. More or less, the latest scientific findings reveal that plants are able to perceive their environment and react on these circumstances [Chamovitz2013]. These results cast doubts on our philosophical classification of plants and animals. This topic has an enormous impact for our ethical consciousness. If we put plants and animals to an almost equal level, than we cannot destroy and treat plants like we used to do. It is important to have this background for understanding the ideas behind the listed artworks. Furthermore, I will focus on the locomotion capabilities of plants and less on their movement capabilities. The artistic expression related to movement and kinetic gestures were discussed in “3.1. Visualizing techniques with plants”.

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A small summary of my Twitter messages from February 2013- June 2013:

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A small summary of my Twitter messages from July 2012- January 2013:

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A small summary of my Twitter messages from February 2012- July 2012:

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